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| This is the public start page of my personal librarinth: an online scrapbook that I used in the course of the research project 'Dialogues with Machines' that ran from February 2017 to October 2024. I undertook this project as a researcher in the [[http://kask.be/en/education/courses/media-art/|Media Arts Studio]] of the [[https://schoolofartsgent.be/ee/en/research/|KASK Conservatorium / University College Ghent]], and it resulted in a doctorate in the arts as part of the [[https://www.ugent.be/lw/kunstwetenschappen/en/research-groups/spam|S:PAM, Studies in Performing Arts and Media]] research group at the University of Ghent. My promotors were Christel Stalpaert and Edwin Carels. | This is the public start page of my personal librarinth: an online scrapbook that I used in the course of the research project 'Dialogues with Machines' that ran from February 2017 to October 2024. I undertook this project as a researcher in the [[http://kask.be/en/education/courses/media-art/|Media Arts Studio]] of the [[https://schoolofartsgent.be/ee/en/research/|KASK Conservatorium / University College Ghent]], and it resulted in a doctorate in the arts as part of the [[https://www.ugent.be/lw/kunstwetenschappen/en/research-groups/spam|S:PAM, Studies in Performing Arts and Media]] research group at the University of Ghent. My promotors were Christel Stalpaert and Edwin Carels. |
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| The most tangible public results of this project are a written thesis and my film #59. The public defense of the PhD took place on the 28th of October 2024, and the committee consisted of [[https://charocalvo.org/|Charo Calvo]], [[https://research.flw.ugent.be/en/gertrudis.vandevijver|Gertrudis Van de Vijver]], [[https://jerrygalle.com/|Jerry Galle]] and [[https://en.wikipedia.org/wiki/Jean_Paul_Van_Bendegem|Jean Paul van Bendegem]], with [[https://research.flw.ugent.be/en/maximiliaan.martens|Maximiliaan Martens]] as chair and [[https://research.flw.ugent.be/en/pieterjan.maes|Pieter-Jan Maes]] as the secretary. | The most tangible public results of this project are a written thesis and my film #59. The public defense of the PhD took place on the 28th of October 2024, and the committee consisted of [[https://creationmusicale.be/en/compositeurs/charo_calvo|Charo Calvo]], [[https://research.flw.ugent.be/en/gertrudis.vandevijver|Gertrudis Van de Vijver]], [[https://jerrygalle.com/|Jerry Galle]] and [[https://en.wikipedia.org/wiki/Jean_Paul_Van_Bendegem|Jean Paul van Bendegem]], with [[https://research.flw.ugent.be/en/maximiliaan.martens|Maximiliaan Martens]] as chair and [[https://research.flw.ugent.be/en/pieterjan.maes|Pieter-Jan Maes]] as the secretary. |
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| The successor of this page is the [[http://labyratoire.joostrekveld.net/|labyratoire]], the online scrapbook of a new research project 'Systems that Matter'. | The successor of this page is the [[http://labyratoire.joostrekveld.net/|labyratoire]], the online scrapbook of a new research project 'Systems that Matter'. |
| The essays collected in this dissertation are attempts to uncover possible sources of the agency of machines. In the long essay //Liberate the Machines !//, a theoretical and historical context is given to the making of Rekveld's film //Mechanisms Common to Disparate Phenomena; #59//, a feature-length abstract animated science fiction film that looks at the experiences shared by humans and electronic circuits during the Cold War. It also narrates Rekveld's personal experience of a dialogue with machines in the process of producing this film and in devising the analogue computing tools that were used for making it. These two strands come together in a view on the interaction between humans and computing machines and the role of media-archaeology in investigating this relation, interpreted as an example of the mutual construction of humans and their technology. Under the title //Seven Devices//, Rekveld wrote seven media-archaeological essays. Topics are discussed from the history of electronic analogue computing, animated automata, cybernetics and self-organisation, each constituting a different approach to reflect on the agency of machines." | The essays collected in this dissertation are attempts to uncover possible sources of the agency of machines. In the long essay //Liberate the Machines !//, a theoretical and historical context is given to the making of Rekveld's film //Mechanisms Common to Disparate Phenomena; #59//, a feature-length abstract animated science fiction film that looks at the experiences shared by humans and electronic circuits during the Cold War. It also narrates Rekveld's personal experience of a dialogue with machines in the process of producing this film and in devising the analogue computing tools that were used for making it. These two strands come together in a view on the interaction between humans and computing machines and the role of media-archaeology in investigating this relation, interpreted as an example of the mutual construction of humans and their technology. Under the title //Seven Devices//, Rekveld wrote seven media-archaeological essays. Topics are discussed from the history of electronic analogue computing, animated automata, cybernetics and self-organisation, each constituting a different approach to reflect on the agency of machines." |
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| The full text of the thesis can be found [[http://hdl.handle.net/1854/LU-01JAJH6XA7BD5QC1DVKYNHV9RD|here]]. The first essay, //Liberate the Machines !//, is in the process of being published as a book, with generous visual documentation and historical material. Please [[http://www.joostrekveld.net/?page_id=1243|let me know]] if you would like to be notified when this book becomes available. | The full text of the thesis can be found [[http://hdl.handle.net/1854/LU-01JAJH6XA7BD5QC1DVKYNHV9RD|here]]. The first essay, //Liberate the Machines !//, has now been published as a book, with generous visual documentation and historical material. Information about the book can be found [[https://www.joostrekveld.net/?p=2781|here]], and please [[http://www.joostrekveld.net/?page_id=1243|let me know]] if you have questions. |
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| ===== film ===== | ===== film ===== |
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| Some more information on the film //Mechanisms Common to Disparate Phenomena; #59// can be found [[http://www.joostrekveld.net/?p=2707|here]] and in the first essay in the thesis that will soon become the book mentioned above. | Some more information on the film //Mechanisms Common to Disparate Phenomena; #59// can be found [[http://www.joostrekveld.net/?p=2707|here]] and in the first essay in the thesis that has become [[https://www.joostrekveld.net/?p=2781|this book]], as mentioned above. |
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